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Howard Hawks’ Scarface is one of the quintessential classic gangster movies. A story of relentless hunger for power and wealth, carried out with violence, laughs and balls that could only come from a pre-code film. Scarface, helped in no small part by Paul Muni‘s portrayal of the maniacal Tony Camonte, has to be one of the most influential movies in cinema history.

A great little artistic flourish that Hawks integrated into the set design is the “X” insignia visible when a body lies cold by the hand of Scarface Camonte . Whether the X is a signature of sorts – the bodies signed with an X to match Tony’s scar – or just a literal representation of a killer “X-ing” his victim is up for debate. Perhaps its a nod to journalistic practices at the time which used an X to show where a body lay in photographs. Whatever the reason, it’s a unique feature that has since been imitated and copied in countless other films. Here are a collection of stills which show the technique in effect. If you are planning to see this film any time soon, bear in mind some pretty big spoilers lie ahead.

First, the most important X of all. Tony’s scar:

Tony pays a visit to a victim in hospital, as the mark of death is cast as a shadow on the wall

Another victim of Camonte’s reign of terror lies under the crossed shadow of an undertaker’s sign.

A neon X sits high on a wall as Tony’s crew take out a rival’s car.

One of my favourites. 7 people are lined up against a wall in a representation of the infamous St Valentine’s day massacre. The camera pans up and we see 7 x’s in the roof struts


A beam of light forms a perfect cross on a body.

Here the X is used as a foreshadowing device. No killing takes place in this scene but the ominous X of light clearly shows Gaffney is a marked man.

Gaffney’s cards are marked, in more ways than one. After crossing off a strike on his scorecard, he is in turn crossed off in a bowling alley.

In a dancehall scene, Tony’s sister is the only girl with crossed straps on her back. Another foreshadowing X .

A desk-fan is strategically placed in the background as Tony takes down boss Johnny Lovo.


Two for one in this scene (a visual double-cross?) as Scarface takes down his own henchman Guino.

As Tony’s sister takes a bullet deflected by his shutters, a fallen lamp in the background provides the familiar motif.

I’ll leave you with the trailer, which again is pretty full of spoilers and should be avoided if you plan on watching this great film.

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